![]() I can tell you that I do try to create affiliation between my films. How intentional has this progression been for you? Your short film “Junior” deals with a tomboy who becomes more traditionally feminine “Raw” is about a girl who becomes a woman now, “Titane” deals with gender in a more expansive non-binary way. “Titane” exists on a continuum with your other work. Memo to Distributors: Buy These 2023 Cannes MoviesĪ few days before her historic win, Ducournau sat down with IndieWire at the Cannes offices of Unifrance to discuss the themes of the movie, the extensive preparation that went into it, and how she’s evaluating opportunities as her career momentum continues to build. The ultimate movie-as-mic-drop experience, “Titane” left viewers speechless, but also gave them much to talk about, as it used its shocking, unpredictable ingredients to launch a complex exploration of gender fluidity unlike any seen before. Oh, she’s also a serial killer, and goes into hiding after her latest killing spree by posing as the long-lost son of a workaholic fireman (Vincent Lindon) with a steroid addiction. Brace yourself: Newcomer Agathe Rouselle plays Alexia, an erotic dancer with a sexual attraction to cars, one of which gets her pregnant. “Titane” follows Ducournau’s 2016 cannibal coming-of-age drama “Raw” with another provocative look at sexuality through the lens of genre. That outcome is all the more exciting in light of the movie in question. ![]() By the end of the festival, the arrival of the second feature from 37-year-old French director Julia Ducournau would find her becoming the second female director in history to win the Palme d’Or, after Jane Campion took the prize for “The Piano” way back in 1993. The lineup for this year’s Cannes Film Festival was filled with unpredictability, but at least one certain outcome: “ Titane” would get people talking.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |